By Lana Dunmore
She saw something she was never supposed to see. Now she's theirs to protect—whether she likes it or not.
Niamh Greer has spent two years working the floor of The Gilded Table — the Syndicate’s underground casino — telling herself it’s just a job. It pays well. She doesn’t ask questions. She keeps her head down.
Then she watches a man plant a listening device under a gaming table. He sees her see it. And just like that, her head-down days are over.
Twenty-four hours later, she’s in a Syndicate safe house with three men she’s never spoken to and a secret that could get everyone in the room killed. Declan Boyle doesn’t talk much, but he cooks and he watches over her like something precious. Ross Alloway has a mouth on him and eyes that miss nothing. Cillian Begg is all cold precision — and the most unsettling one to be alone with.
They’re not her men. They’re not her protectors. They just can’t afford to let her go.
Gilded Beginning is a standalone prequel novella set inside The Gilded Ledger world, featuring a separate reverse harem and heroine. Best read as an introduction to the Syndicate — or after Iron Debt, for a street-level glimpse of the world you already love.
Status: Available
Page count: 194
ISBN: 978-1-917585-28-6
Release Date: 2026-03-15
Also available in: English
Spice Level: 4 Peppers 🌶️
Trigger Warnings: Explicit sexual content, mild violence, themes of captivity/coercion, morally grey characters, underground gambling/crime elements
Genres: Contemporary Romance, Dark Romance, Reverse Harem
Series: The Gilded Ledger
Keywords: dark romance, reverse harem, why choose
The man at Table 7 slipped something beneath the green felt of the poker table that wasn’t a gambling chip.
I saw it. He saw me see it.
My tray didn’t waver. Twelve crystal tumblers of Macallan single malt, three fingers of amber each, balanced on a circle of silver no wider than a dinner plate – and my hands stayed level because that’s what two years on the Gilded Table’s casino floor had bought me. Steady hands and a face that gave nothing away. I kept walking, kept the rhythm of my heels on the worn carpet, kept my eyes forward and my smile fixed at exactly the angle that said I’m here if you need me and I haven’t noticed a thing.
That was the first rule of the Gilded Table. You didn’t notice things. The men who gambled here paid for discretion the way they paid for the Macallan – without asking the price – and the girls who poured it learned quickly that seeing nothing was the most valuable skill the job required.
My name is Niamh Greer, and I was very, very good at seeing nothing.
The base of my tray was slick under my fingers. Not from the work – I’d carried heavier for longer – but from what I’d just seen. I could feel the sweat gathering where my palm met the metal, the slow prickling crawl of it, and I pressed my grip harder and kept walking.
The Gilded Table at full roar was a living thing. It breathed in cigar smoke and breathed out money – or the promise of it, which amounted to the same thing in Cairndhu. The main floor sat beneath the rotting hull of a dry-docked steamer like a secret the city kept from itself: red velvet on every surface that wasn’t crystal or brass, tobacco haze hanging in strata beneath chandeliers – because a national smoking ban meant nothing to men who already considered themselves above the law. The honeyed light fell across the faces of men who’d bet their daughters if the odds were right. Some of them had. That wasn’t a joke. I’d seen the Ledger.
I wove between the craps tables, delivering Macallans to a cluster of offshore investors who didn’t look at me and didn’t say thank you. Fine. I preferred invisible. Invisible was the whole point. Two years I’d worked this floor – me, Siobhan, and Kirsty, three girls from the same Greenock estate who’d answered an advert for “hospitality staff” and found ourselves pouring single malt in a Victorian tomb underneath a ship. The pay was good. The tips were better. The hours were brutal and nobody asked questions about where the money came from, which suited us because we already knew.
We knew it came from men like the ones at the craps table. We knew it was dirty. And we’d decided not to care, because the alternative was the zero-hours contracts and the call centres and the long bus rides back to Greenock for minimum wage – and none of us could afford that any more. That was the deal you made in Cairndhu. You looked at what was in front of you, you pocketed what you could, and you kept your mouth shut.
Near the private alcoves, Ross Alloway was holding court with two city councillors and a woman in a fur stole who laughed at everything he said. He was one of Ewan’s fixers – the men who smoothed things over, who made problems disappear before they became problems – Scottish-Italian, dark-eyed, and so relentlessly charming that you forgot he was dangerous until you remembered who paid his wages. He caught me looking and winked – not the lazy, indiscriminate wink he gave the high-roller wives, but a quick, deliberate thing aimed directly at me, one eyebrow lifting with it as though we were sharing a joke nobody else in the room was in on. I didn’t wink back. You didn’t flirt with Syndicate men. That was the second rule, and it was the one that kept you alive. But I felt the corner of my mouth twitch before I could stop it, and his eyes tracked the twitch, and his grin widened by exactly the amount that said I saw that, and I looked away with my cheeks warm and my jaw tight and my tray suddenly requiring my full professional attention.
I noticed his hands, though. I noticed them the way you notice something you’re not supposed to be looking at – long-fingered, expressive, gesturing as he talked. They moved the way a pianist’s hands move, making the air around them part of the performance. I noticed, and I felt something tighten low in my stomach that I immediately filed under absolutely not, and I kept walking.
Behind the cashier’s cage, half-hidden by the brass grating, Cillian Begg sat with a laptop open and a pen behind his ear, his face lit blue-white by the screen. Lachlan’s numbers man – the closest thing the Syndicate had to a legitimate accountant, if accountants routinely laundered six figures through shell companies before breakfast. He never gambled, never drank on the floor, and never looked up from his work unless something was wrong. The screen light carved the line of his jaw into something sharp enough to cut yourself on. I’d seen him smile exactly once, and it had been directed at a spreadsheet.
Above me, the Performance Balcony ran the length of the east wall – a narrow gilded ledge with wrought-iron railings where, on certain nights, a girl stood in silk and was called the Living Ace. A good-luck charm. A decoration. I’d watched three different women stand up there over two years, each one beautiful, each one chosen, each one eventually replaced. It was a tradition that made your skin crawl if you thought about it too hard, so I didn’t think about it. I delivered drinks, kept my mouth shut, went home to Inverkip, counted my tips in the dark of my rented room. Told myself this was temporary – that the money was a means, not a life. That one day I’d have enough saved to stop.
Everyone in Cairndhu told themselves that.
Higher still, behind a wall of smoked glass, Lachlan’s booth watched everything. I couldn’t see him from the floor – nobody could – but you felt the weight of that glass the way you felt weather. A pressure that didn’t let up. He ran the house from that booth like a man conducting an orchestra nobody else could hear, and the dealers and the croupiers and the floor managers moved to his tempo without being told. I’d been in his presence exactly once, during my induction. He’d looked at me the way you’d look at a new piece of furniture: briefly, to confirm it matched the room.
I had not spoken to him since. I intended to keep it that way.
***
Table 7 was in the far corner, half-screened by a velvet curtain that separated the main floor from the high-roller alcoves. I knew the man sitting there – knew him the way you know any regular, by his drink and his habits and the shape he made in the room. The dealers called him Doyle, though I’d never cared to find out if it was a first name or a last. He’d been coming in twice a week for three months, always ordering a gin and tonic with Hendrick’s, always sitting alone, always watching the room with a patience that didn’t fit the way his left knee bounced under the table.
He was twitchy. Wrong kind of twitchy. The gamblers were twitchy with appetite; this man was twitchy with purpose.
I’d served him his G&T twenty minutes earlier and he’d looked through me like glass, same as always. But when I’d passed behind his chair on my return circuit – the route I’d walked a thousand times, tray up, smile on, eyes doing the work my mouth wasn’t allowed to – I saw his hand move.
Not to his glass. Not to the stack of chips he never seemed to actually bet. His hand went flat against the underside of the table, and something small and dark pressed into the felt with a faint click.
It was no bigger than a shirt button. Matte black. Easy to miss unless you’d spent two years noticing everything on this floor because noticing things was how you stayed out of trouble.
I noticed it.
He looked up. Our eyes met for less than a second – I was already past him, already angling toward the service corridor, already rearranging my face into the bored half-smile of a woman thinking about nothing more than her aching feet. But that second was enough.
He knew I’d seen it.
I kept walking. I delivered two more rounds. I laughed at a regular’s terrible joke about a horse and a bookie. I cleared an ashtray, wiped a ring of condensation from a mahogany side table, and tucked a tenner tip into my apron without looking at it.
My hands were shaking. I held them under the tray where nobody could see.
I didn’t know for certain what the small black disc was – not then, not yet. But I’d worked this floor long enough to know what didn’t belong. Gamblers hid things under tables all the time: receipts, phones, pills, the occasional foil wrap. Those were furtive. Sloppy. This had been deliberate. The angle of Doyle’s hand, the way he’d pressed it flat and held it for a count of two before withdrawing – that was someone fixing hardware in place. Someone who’d practised the motion. And I’d spent enough nights wiping down these tables after close to know every ridge and screw-head on the underside. The felt on Table 7 didn’t have anything matte-black and button-shaped attached to it. Not until tonight.
A listening device. A bug. Hardware belonging to people who wanted to hear what happened in rooms they weren’t supposed to be in.
Grave-Watchers – McInnis’s watchers, the Gravedigger’s eyes and ears on the ground.
The name moved through the Gilded Table the way weather moved through Cairndhu – not spoken aloud, but felt. Everyone on the floor knew who they were. Douglas McInnis’s men. The Gravedigger’s eyes and ears. The old guard who believed the Clyde belonged to them and resented every breath the Syndicate drew. McInnis had run the dockyards before Lachlan had even arrived in Cairndhu, and the stories about what happened to people who crossed him were the kind you heard in pubs and didn’t repeat – a foreman found in a container with his tongue removed, a councillor’s car that went off the Erskine Bridge at four in the morning with a brick on the accelerator. Nobody said the Gravedigger’s name in full. You said McInnis and you lowered your voice and you hoped he never had a reason to learn yours.
And one of his men had just wired a table ten feet from where Lachlan sat behind his glass wall.
I pushed through the service corridor door and the noise of the casino dropped to a low, muffled thud behind me. The corridor was narrow, lit by fluorescent strips that buzzed and flickered, with walls the colour of old teeth. It smelled of damp concrete and the diesel that bled in from the loading bay. The glamour stopped the moment you stepped behind the curtain. That was the Gilded Table’s real trick – it was a jewellery box balanced on a sewer.
I set my tray down on the steel prep counter and pressed both palms flat against the cold metal. Breathe. Just breathe. You didn’t see anything. You’re going to finish your shift, you’re going to collect your envelope from Kirsty, and you’re going to walk out the loading bay door and get the last bus to Inverkip and you’re going to forget that man’s face and the sound that thing made when it clicked into place.
I wasn’t going to tell anyone. It wasn’t my business. It wasn’t my war. I was a waitress who needed this job because the rent didn’t pay itself and the alternatives were worse, and the only smart play was the same play I’d been making for two years: see nothing, say nothing, go home.
I almost believed it.
The hand came from behind. Thick fingers closing around my upper arm, spinning me, and then my back hit the wall hard enough to knock the air from my lungs. Doyle’s face was six inches from mine. Up close – closer than I’d ever been to him across two years of serving his gin and tonic at arm’s length – he was older than he’d looked from the floor. Late forties, maybe, with skin that had seen too much weather and eyes that had stopped caring about consequences a long time ago.
“You didn’t see anything.” His voice was low. Flat. A statement, not a question.
“I don’t know what you’re –”
The blade appeared between us. A short, thin thing – a fisherman’s knife, like every man on the Cairndhu docks carried – and he pressed the flat of it against my throat, just below my jaw. Not cutting. Not yet. Just letting me feel the cold of it, the edge of it, the promise.
“You didn’t see anything,” he said again. “And if you think about telling anyone what you didn’t see–if you so much as exchange two words with a Syndicate man tonight–I’ll start with your mate. Siobhan. The ginger one. She gets the bus from Port Glasgow, aye? The 9:40. Same one every night.”
I didn’t flinch. Two years had taught me that much. But my fingers curled against the wall behind me, nails catching on the rough plaster, and I held on to that small, stupid pain because it was something to focus on that wasn’t his face.
“Nod if you understand.”
I nodded.
He held me there for three more seconds – I counted them, because counting was the only thing keeping me from screaming – and then he stepped back. The knife vanished into his coat. He straightened his collar, smoothed his hair with one hand, and walked back toward the casino floor without looking at me again.
The corridor was empty. Nobody had seen it. Nobody ever saw anything in the service corridor – that was the point of it.
I stood against the wall until the fluorescent strip above me flickered twice and the loading bay door clanged shut somewhere down the corridor. My breathing was the loudest thing in the room.
***
I finished the remaining three hours of my shift.
I don’t know how. I served drinks, cleared glasses, smiled at people who didn’t deserve smiling at. I made small talk with a man who wanted to tell me about his boat. Nodded in all the right places. Didn’t drop a single glass. Two years of muscle memory carried me through the rest of the long night while the cold, hard knot in my chest pulled tighter with every breath.
For the first hour, Doyle stayed at Table 7. He watched me. I could feel it, that flat gaze following my circuit like a second shadow, and the skin on the back of my neck prickled every time I turned away from his corner of the room. I didn’t look at him. I didn’t go near his table. I served my section and I kept my route and I stared straight ahead.
At quarter past ten, I passed the main alcove on a glass-collection run. Ross Alloway stepped out, his sudden appearance forcing me to stop short so I didn’t drop my tray. He was close – close enough that I caught the warm amber of his cologne and the faint trace of espresso on his breath, and close enough that when he looked down at me his eyes were warmer than they had any right to be.
“Niamh, isn’t it?” he asked, and the way he said my name – leaning on it, tasting it – made it clear he hadn’t needed to check. He offered me that easy, devastating smile. “We’re completely out of the good limes at the private tables. Fetch us a fresh bowl from the back, would you?”
His hand was on the curtain beside my shoulder, not touching me, but close enough that I could feel the warmth of it. Under different circumstances – in a different building, in a different life – I might have leaned into that warmth. I might have said something clever. Instead my eyes flicked involuntarily toward the back of the room.
Doyle was standing near the exit, his coat in his hands. He was watching us. We were fifty feet apart, but his gaze hit me like a physical weight. If you so much as exchange two words with a Syndicate man tonight…
“Of course, Mr. Alloway,” I said. My voice came out thin and hollow and stripped of everything I’d been feeling ten seconds ago. “Right away.”
Ross’s expression shifted – the charm didn’t drop, but something sharper moved behind it, a flicker of attention that had nothing to do with limes. His gaze tracked past me toward the exit, and for a fraction of a second his eyes met Declan’s across the floor. I couldn’t read what passed between them – a question, a confirmation, something in the private language of men who’d worked together long enough to communicate in glances – but Declan’s posture changed. His folded arms tightened. His weight shifted forward, almost imperceptibly, toward the exit where Doyle was standing.
Ross looked back at me. The smile returned, but it was thinner now, held in place by effort. “Take your time,” he said quietly. “No rush.”
When I returned with the limes five minutes later, Doyle was gone. His seat at Table 7 was empty, the G&T glass sitting in a ring of condensation, a generous tip tucked beneath it. The listening device was still under the table. I could feel it there the way you feel a spider you’ve seen but can’t reach – the wrongness of it pulling at my attention every time I passed.
I didn’t look at the table. I didn’t go near it. I served my section and I kept my route and I waited for midnight.
At ten minutes to twelve, I passed the main entrance on a glass-collection run. Declan McNeilage was standing where he always stood – just inside the door, one shoulder against the wall, arms folded across a chest that could have been used as a battering ram. He was Alastair’s second. Everyone on the floor knew that. Everyone also knew that Declan didn’t speak unless he had something to say, which meant he almost never spoke. He was a wall. He was furniture. He was the largest, quietest, most immovable thing in the room, and in two years I’d never once caught him looking at anything but the door.
He looked at me.
Not a glance this time – not the brief sweep he’d given me earlier in the evening. This was slower, deliberate, his dark eyes tracking my face as I passed with an attention that made the fine hairs on the back of my neck stand up for a reason that had nothing to do with the knife I could still feel against my throat. His gaze dropped – just for a second, just to the place on my neck where Doyle’s blade had pressed – and his jaw tightened. He’d noticed the mark. Or he’d noticed me touching it, which I hadn’t realised I’d been doing until that moment, my fingers pressed against the raw line of skin beneath my jaw.
He smelled of cold air and clean soap and underneath those things, the particular warmth of a very large body standing very still. It hit me in the space between one step and the next – not a thought, not a decision, just a physical fact registering in a part of my brain I hadn’t consulted. His hands, folded across his chest, were enormous, scarred across the knuckles, and absolutely still. I imagined what it would feel like to be held by hands that size and the thought arrived with a heat that had no business being in this building at this hour.
I looked away first. My cheeks were warm and my pulse was doing something complicated and I kept walking because walking was the only thing I knew how to do.
The locker room was a concrete box at the end of the service corridor – eight metal lockers, a cracked mirror, and a single brass tap that only ran cold. Kirsty was already gone, her locker shut, her coat missing from the hook. She’d left my pay envelope on the bench with a smiley face drawn on it in biro.
I changed out of my heels and into my trainers, pulled on my coat, and put my tips in the inside pocket where the zip still worked. My hands had stopped trembling. The cold knot in my chest had settled into something duller, something I could carry if I didn’t look at it directly.
I reached for my bag and my gaze drifted to the third locker from the left. Siobhan’s.
The door was hanging open.
Not the way Siobhan left things – she was meticulous, almost neurotic about it, always clicking the padlock twice because she’d once had a fiver lifted and never got over it. The locker was open and it was empty. Her spare shoes, her hairbrush, the photo of her mum she’d taped to the inside of the door – all of it, gone. Cleared out. As if she’d never been there.
Siobhan had gone on her break at half ten. She hadn’t come back.
The realisation hit me like a physical blow, followed instantly by a sickening wave of guilt. I’d been so consumed by the bug, by Doyle, by the lingering phantom pressure of the knife against my throat, that I hadn’t even noticed my friend was missing from the floor for over an hour.
I stood in the locker room with the fluorescent light buzzing above me and the cold tap dripping behind me and I stared at that empty locker and I understood, with a clarity that made my vision narrow to a single bright point, that this job had never been safe. The money had been a leash. The tips, the envelopes, the overtime that nobody questioned – all of it designed to keep girls like me showing up, keeping quiet, looking the other way. And I’d let it work. I’d let it work because the alternative was worse, and because it was easier to pretend that a steady pay cheque and a rented room in Inverkip meant I had a life.
I’d always known that.
I’d just forgotten.
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Dark stories. Morally grey men. The kind of Scotland that doesn't end up on tea towels.
Lana Dunmore writes gritty contemporary romance set in Scotland's darker corners. Her characters are morally compromised and emotionally relentless. Her heroines don't get rescued — they get chosen, by men who are just as broken, and twice as dangerous.
Dunmore means Great Dark Fort in Gaelic. It was chosen deliberately. A fort isn't comfortable. It isn't pretty. It was built to withstand — to hold what's inside, to protect it by whatever means necessary. That felt like the right container for the kind of stories that belong here.
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